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The film I saw this week that impressed me was Pride, about the 1985 Miners' Strike and the support given to it by a small group called, with surprisingly originality of thought, Lesbians and Gays Support The Miners. We get very few films about working life and trades unions, so this was a worthy - and at times very humorous - spotlight on a critical period in union history and for that matter the gay rights movement about to be hit by the same Thatcher government as was laying into our. Inning industry.I was 20 minutes late into the film but it showed the Welsh mining village picked for support well without too much stereotyping and showed the slightly anarchic group of supporters led by an actor playing the real life Mark Ashton who was a driving force behind LGSM, getting the balance right between the tensions within the mining community, some of whom felt the strike ill-advised but compelled to support it through solidarity, and the LGBT movement which had its own tensions about rocking the boat. The film has outstanding performances by a largely unknown cast headed by the ubiquitous Bill Nighy (who often seems to just play himself, so effortless is his acting) and the diminutive Imelda Stsunton as a redoubtable fiery Welsh villager. Paddy Considine has a hang-dog appearance but gives a notable performance. Mention should be made of George Mackay as a 20-year-old Joe finding his voice at the end of the film after rejection by his parents. Ben Schnetzer plays the charismatic Mark Ashton well but is disconcertingly similar in appearance to Marc Almond, a big of a distraction; whether this was intentional, I cannot say. Dominic West was in the film, but frankly one cannot separate the professional actors (Nighy and Staunton apart) from what might well be genuine Welsh villagers. The other voice heard in the film was the sepulchral AIDS TV advertisement "Don't Die of Ignorance"; given the period and context, one is in awe of the LGSM campaigners helping a possibly hostile village and trying to fundraise in a largely apolitical London gay scene.Do see it this weekend as continuous showings at cinemas are dependant of how it does this weekend; low attendances and it could vanish until it comes out on DVD, but it needs the collective experience of a cinema audience.I also commend the film Boyhood referred to above as a curiosity in film-making, one that combines actors and a sort of plot line with a central real young person growing up.

Daniel Antony Filson ● 4384d